Praise for No Visible Bruises:

 

“No Visible Bruises is a seminal and breathtaking account of why home is the most dangerous place to be a woman. Through brilliant insights and myth-busting research, compelling storytelling, and a passionate focus on truth-telling, Rachel Louise Snyder places domestic violence exactly where it should be, smack in the center of everything. A tour de force.” —Eve Ensler, author of THE VAGINA MONOLOGUES and THE APOLOGY

"This is terrifying, courageous reportage from our internal war zone, a fair and balanced telling of an unfair and unbalanced crisis in American family life.  Snyder writes with stark lucidity and great compassion, and tells stories of utmost urgency with considerable narrative skill." ―Andrew Solomon, author of THE NOONDAY DEMON and FAR FROM THE TREE 

“No Visible Bruises snapped open my eyes to the direct link between patriarchal entitlement and violence against women, between the way men are raised to the way women are treated. From her dismantling of the term ‘domestic violence,’ which not only couches a pervasive public menace in homey, private terms, but echoes a sick culture in denial, to her connecting the dots between acts of terror and acts of domestic terror, Snyder's is an indispensable, important book.” —Carina Chocano, author of YOU PLAY THE GIRL

“No Visible Bruises is a keening for the battered and a shout of outrage for the lost, a case for the higher awareness that could make us better humans.” ―Ted Conover, author of NEWJACK, and director of NYU's Arthur L. Carter Journalism Institute

"A powerful exploration of the sinister, insidious nature of domestic violence in America...Bracing and gut-wrenching, with slivers of hope throughout, this is exemplary, moving reportage on an important subject that often remains in the dark..." --Kirkus (STARRED Review)

"In its scope and seriousness — its palpable desire to spur change — this book invites reflection not only about violence but about writing itself. What kinds of reportage really move policy? What kinds of narrative — what sorts of tone, structure, examples — can stoke a reader’s outrage and then translate that outrage into action, keeping it from curdling into cynicism or despair... This is the interesting paradox of this particular genre. Books that want to raise an alarm don’t don’t always aspire to literature, but to be effective — to persuade — they must be literary; they must be obsessed with matters of rhythm, form and language... [Snyder] glides from history to the present day, from scene to analysis, with a relaxed virtuosity that filled me with admiration. This is a writer using every tool at her disposal to make this story come alive, to make it matter." -Parul Seghal, The New York Times Book Review

 

“Snyder's singular achievement is that she illuminates the dark corners of this specter as a way to understand it and thus eliminate it.” ―J. Anthony Lukas Prize, Judges' Citation for NO VISIBLE BRUISES

 

Praise for What We’ve Lost Is Nothing:

 

“Snyder's debut is smooth and engaging, and reads like the work of a veteran novelist.” ―Publishers Weekly

 

“A muscular and fearless debut novel that boldly tackles the heady themes of prejudice, self-preservation, poverty and privilege.” ―Booklist

 

“Snyder writes with the rigorous scrutiny of an investigative journalist and the deep and roving empathy of a natural-born novelist; the result is a bold and mesmerizing exploration of daily truths we don't talk about nearly enough . . . A stellar debut by an important and necessary new voice among us.” ―Andre Dubus III, author of House of Sand and Fog and Townie

 

“A powerful, page-turning debut that dares to delve below the surface of our glossy American lives. You may never look at your neighbors--or yourself--the same way again.” ―David Goodwillie, author of American Subversive